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Dwelling in a Time of Plagues: Passover
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3/26/2021
When: Friday, March 26, 2021
10:00 AM
Where: Multiple venues
United States

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CANVAS, the Jewish arts and culture funding collaborative incubated at JFN,  has mobilized Jewish artists, authors, artistic and cultural networks, and museums for “Dwelling in a Time of Plagues,” a Jewish creative response to the real-world plagues of our time.

Starting March 26 and continuing through Passover, CANVAS-commissioned works will be displayed online at www.plaguedwelling.com and at museums and sites throughout North America, including in Baltimore, Boston, Charlotte, Detroit, New York and Toronto. They will also be featured in a downloadable PDF designed to spark conversation and reflection at seder tables and beyond.

These new works — outdoor sculptures, murals, essays, audio pieces, videos, and digital art experiences — reinterpret the themes of Passover in response to our times. Collectively, these commissions grapple with contemporary plagues, such as the global pandemic, homelessness, institutional racism, xenophobia, ageism, forced isolation, binary thinking, and the climate crisis. Each plague will also feature a literary response or a component based on a collaboration between the artist and an author. The literary component will be curated by the Jewish Book Council and participating authors include Moriel Rothman-Zecher, Sarah Blake, and Rebecca Soffer.

The new exhibits build on the success of the first phase of “Dwelling” in October, which focused on the Jewish holiday of Sukkot. “Dwelling” is a collaboration of Jewish arts and culture networks Reboot, Asylum Arts, LABA, the Council of American Jewish Museums, and the Jewish Book Council. The five are grantees of CANVAS, a Jewish Funders Network-incubated philanthropic collaborative dedicated to elevating the field of Jewish arts and culture. Other “Dwelling” partners include Modern Loss and Repair the World.

Among the Passover works are:

  • “At Our Table,” Olivia Guterson’s reimagining of a Passover table constructed from locally sourced, discarded single-use plastics. (Museum of Contemporary Art Detroit [MOCAD]).
  • “Golem v. Golem,” an 8-part episodic video series exploring the multiple dimensions of contemporary artist Julie Weitz’s “My Golem project,” an iterative performance and video work that centers on Weitz’s portrayal and embodiment of a futuristic, folkloric humanoid. (Vilna Shul in Boston)
  • Tal Beery’s “A Binding,” in which audio excerpts of Baltimore residents speaking about their experiences of losing loved ones to Covid-19 will play on loop from speakers hidden at the base of two large decorative arches on the facade of the Jewish Museum of Maryland (Baltimore).

More information at www.plaguedwelling.com

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